{"id":1176,"date":"2020-10-09T08:14:10","date_gmt":"2020-06-27T15:01:08","guid":{"rendered":"http:\/\/markusschwander.com\/wp_20\/the-frank-slide-show-2-2-2-2-2-2\/"},"modified":"2021-02-05T11:39:36","modified_gmt":"2021-02-05T10:39:36","slug":"capriccio","status":"publish","type":"post","link":"https:\/\/markusschwander.com\/en\/capriccio\/","title":{"rendered":"Capriccio"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1104,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    2,\r\n    2,\r\n    2,\r\n    3\r\n  ],\r\n  \"frameMargin\": 3,\r\n  \"topFrameMargin\": 120,\r\n  \"bottomFrameMargin\": 5,\r\n  \"rowAttrs\": [\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    {\r\n     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   ],\r\n      \"frameOverflow\": \"\",\r\n      \"caption\": \"<p class=\\\"_Caption_allgemein\\\"><span class=\\\"_Klein_kursiv\\\">Capriccio<\/span>, 2007 - 2019, Photo: Michael Fontana<\/p>\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>The basis for the work on this series of small sculptures was a selection of vessels into which plaster was cast. In most cases, the vessel was shattered by the heat of the hardening plaster. The broken shards, the equivalent to the 'lost mold', were then knocked away. In combination with casts of fruits and waste objects, three-dimensional still lifes were created. They were first exhibited in 2007 in the <span class=\\\"_Kursiv\\\">Tony Wuethrich Gallery,<\/span> in the same year in the <span class=\\\"_Kursiv\\\">Kunstraum o. T.<\/span> in Lucerne and the <span class=\\\"_Kursiv\\\">Lucerne Museum of Art<\/span>, the <span class=\\\"_Kursiv\\\">LISTE<\/span> in Basel (2008) and in the C<span class=\\\"_Kursiv\\\">astle of Gr\u00f6ningen<\/span> in Abtsgm\u00fcnd (2020). Several of the objects have been revised over time.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"carousel\",\r\n      \"cont\": \"\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 919,\r\n      \"carousel_options\": {\r\n        \"random\": false,\r\n        \"autoplay\": false,\r\n        \"showMultipleSlides\": false,\r\n        \"freeScroll\": null,\r\n        \"size\": \"aspectRatioOfFirstElement\",\r\n        \"slidesWidth\": \"\",\r\n        \"transition\": \"sliding\",\r\n        \"loop\": \"1\",\r\n        \"spaceBetween\": 0\r\n      },\r\n      \"carousel\": [\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 1177,\r\n          \"cont\": \"\/wp-content\/uploads\/2020\/10\/1-07-Cap-Wuethrich.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2020\/10\/1-07-Cap-Wuethrich.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2020\/10\/1-07-Cap-Wuethrich-1024x706.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2020\/10\/1-07-Cap-Wuethrich-768x530.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2020\/10\/1-07-Cap-Wuethrich-512x353.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2020\/10\/1-07-Cap-Wuethrich-265x183.jpg\"\r\n          },\r\n          \"w\": 1160,\r\n          \"h\": 800,\r\n          \"ar\": 0.68965517241379,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p class=\\\"_Caption_allgemein\\\">Exhibition at Tony Wuethrich Gallery, Basel, 2007, Photo: Michael Fontana<\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 1178,\r\n          \"cont\": \"\/wp-content\/uploads\/2020\/10\/2-07-Cap-oT-1.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2020\/10\/2-07-Cap-oT-1.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2020\/10\/2-07-Cap-oT-1-1024x739.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2020\/10\/2-07-Cap-oT-1-768x554.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2020\/10\/2-07-Cap-oT-1-512x369.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2020\/10\/2-07-Cap-oT-1-265x191.jpg\"\r\n          },\r\n          \"w\": 1110,\r\n          \"h\": 801,\r\n          \"ar\": 0.72162162162162,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p class=\\\"_Caption_allgemein\\\">Installation view, o.T. Raum f\u00fcr aktuelle Kunst in Lucerne, 2007, Photo: Markus Schwander<\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 1179,\r\n          \"cont\": \"\/wp-content\/uploads\/2020\/10\/3-08-LISTE-Cap_mw.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2020\/10\/3-08-LISTE-Cap_mw.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2020\/10\/3-08-LISTE-Cap_mw-265x190.jpg\"\r\n          },\r\n          \"w\": 316,\r\n          \"h\": 227,\r\n          \"ar\": 0.71835443037975,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p class=\\\"_Caption_allgemein\\\">Installation view, artfair LISTE, Basel, as a guest of Kunsthaus Baselland, 2008<\/p>\"\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"attid\": 1180,\r\n          \"cont\": \"\/wp-content\/uploads\/2020\/10\/4-20-KISS-Cap-Raum-2.jpg\",\r\n          \"sizes\": {\r\n            \"full\": \"\/wp-content\/uploads\/2020\/10\/4-20-KISS-Cap-Raum-2.jpg\",\r\n            \"_2560\": \"\/wp-content\/uploads\/2020\/10\/4-20-KISS-Cap-Raum-2-2560x1594.jpg\",\r\n            \"_1920\": \"\/wp-content\/uploads\/2020\/10\/4-20-KISS-Cap-Raum-2-1920x1196.jpg\",\r\n            \"_1280\": \"\/wp-content\/uploads\/2020\/10\/4-20-KISS-Cap-Raum-2-1280x797.jpg\",\r\n            \"_1024\": \"\/wp-content\/uploads\/2020\/10\/4-20-KISS-Cap-Raum-2-1024x638.jpg\",\r\n            \"_768\": \"\/wp-content\/uploads\/2020\/10\/4-20-KISS-Cap-Raum-2-768x478.jpg\",\r\n            \"_512\": \"\/wp-content\/uploads\/2020\/10\/4-20-KISS-Cap-Raum-2-512x319.jpg\",\r\n            \"_265\": \"\/wp-content\/uploads\/2020\/10\/4-20-KISS-Cap-Raum-2-265x165.jpg\"\r\n          },\r\n          \"w\": 3000,\r\n          \"h\": 1868,\r\n          \"ar\": 0.62266666666667,\r\n          \"alt\": \"\",\r\n          \"caption\": \"<p class=\\\"_Caption_allgemein\\\">Installation view of the exhibition<span class=\\\"_Klein_kursiv\\\"> sweet nothing sweet<\/span> at Untergr\u00f6ningen Castle, 2020<\/p>\"\r\n        }\r\n      ],\r\n      \"frameOverflow\": \"\",\r\n      \"caption\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>\u201cAn endless point-the-finger game is set in motion: of references and displacements, presumed straight-forwardness and lucid unclarity, of clear questions and unclear answers. Playfully the three-dimensional capriccios pull out all the stops of art and our idea of art: representation and misrepresentation, copy and original, imitation and inventiveness. Tonalities not at all obsolete: jestingly but not in jest, experience is imposed on them. With the realities of art, the question is raised as to the realities of reality. Luckily.\u201c<br \/><span class=\\\"_Klein\\\">Claus Volkenandt<\/span><\/p><p><a href=\\\"http:\/\/markusschwander.com\/wp_20\/wp-content\/uploads\/2021\/02\/2007-Volkenandt-e.pdf\\\" target=\\\"_blank\\\" rel=\\\"noopener\\\"><span style=\\\"font-family: hi-responsewebicons-regular-webfont;\\\">9<\/span> Claus Volkenandt,<span class=\\\"_Kursiv\\\"> Little Vagaries<\/span>, in: <span class=\\\"_Kursiv\\\">Capriccio<\/span>, Tony Wuethrich Galerie, 2007<\/a><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 3,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 3,\r\n      \"relid\": 6,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/markusschwander.com\/en\/wp-json\/wp\/v2\/posts\/1176"}],"collection":[{"href":"https:\/\/markusschwander.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/markusschwander.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/markusschwander.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/markusschwander.com\/en\/wp-json\/wp\/v2\/comments?post=1176"}],"version-history":[{"count":0,"href":"https:\/\/markusschwander.com\/en\/wp-json\/wp\/v2\/posts\/1176\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/markusschwander.com\/en\/wp-json\/wp\/v2\/media\/1104"}],"wp:attachment":[{"href":"https:\/\/markusschwander.com\/en\/wp-json\/wp\/v2\/media?parent=1176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/markusschwander.com\/en\/wp-json\/wp\/v2\/categories?post=1176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/markusschwander.com\/en\/wp-json\/wp\/v2\/tags?post=1176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}